When I first set out to capture the image that would become “echoes”, I gave myself ample time to carefully observe the people within my field of vision. As I mentally composed the frame, I became acutely aware of the great many individuals within my eyeshot, all of whom were engaged in different activities; many were standing still, others were in dynamic movement, and all were going about their own business, unaware of my presence. Initially, I concentrated primarily on the individual people in the frame. However, my focus soon expanded to include the larger group in which these individuals were enmeshed. My awareness of the image continued to evolve as I began to conceive of each individual as a single point from which an infinite array of links branch off in every direction to create a web of interconnectivity that breaks down the limitations of any one fixed standpoint in favor of a more fluid and ambiguous perspective. This topic has become one of the dominant themes that I explore in my works of photography. Through the properties of a static image, the shifting boundaries between the individual, the group, and the observer can be captured and the status of any single component of the image can be challenged by the unfixed and endlessly expanding sense of linked perspective that is revealed through echoes.